Difference between revisions of "2025 Symbionts"
From Animation Luzern Wiki
| (5 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
__TOC__ | __TOC__ | ||
| + | |||
| + | [[File:Still_90335.png|frameless]] | ||
| + | [[File:Still_92594.png|frameless]] | ||
| + | [[File:Still_93823.png|frameless]] | ||
| + | [[File:Still_95820.png|frameless]] | ||
| + | [[File:Still_97507.png|frameless]] | ||
| + | [[File:Still_98133.png|frameless]] | ||
=== Synopsis / Summary / Résumé === | === Synopsis / Summary / Résumé === | ||
| − | One | + | One form liquefies into a glistening puddle, another reproduces in a vibrant entanglement, while a third convulses under the invasive force of a parasitic entity. Symbionts traces an organic cycle of interaction within an unfamiliar ecosystem. It reveals the radiant elegance and the unrelenting violence inherent in the symbiotic relationships between diverse and peculiar life forms. |
| − | The film | + | The film employs a distinctive visual language by merging digital 3D animation with a custom-developed texturing tool. This approach introduces a sense of abstraction while maintaining a tactile, almost recognizable reality, inviting viewers to immerse themselves in a world that is simultaneously alien and intimately biological. |
| Line 21: | Line 28: | ||
=== Credits === | === Credits === | ||
| − | * | + | * Direction: '''[[Quirijn Dees]]''' |
* Animation: '''[[Quirijn Dees]]''' | * Animation: '''[[Quirijn Dees]]''' | ||
| − | * | + | * Editing: '''[[Quirijn Dees]]''' |
* Compositing: '''[[Frederic Berger]]''' | * Compositing: '''[[Frederic Berger]]''' | ||
* Title/Credits Design: '''[[Alexandra Siebert]]''' | * Title/Credits Design: '''[[Alexandra Siebert]]''' | ||
| − | * | + | * Music: '''[[Miro Bollen]]''' |
* Foleys: '''[[Céline Bernard]]''' | * Foleys: '''[[Céline Bernard]]''' | ||
* Sounddesign: '''[[Miro Bollen]], [[Quirijn Dees]]''' | * Sounddesign: '''[[Miro Bollen]], [[Quirijn Dees]]''' | ||
* Soundmix: '''[[Jeroen Visser]]''' | * Soundmix: '''[[Jeroen Visser]]''' | ||
| − | * Mentor: '''[[Tim Markgraf]], [[Simon Ott]], [[Fabian Schäublin]], [[Jeroen Visser]], [[Marvin Sprengel]]''' | + | * Mentor: '''[[Tim Markgraf]], [[Simon Ott]], [[Fabian Schäublin]], [[Jeroen Visser]], [[Marvin Sprengel]], [[Irina Rubina]]''' |
| − | * | + | * Production Support: '''[[Jean First]], [[Thomas Gassmann]]''' |
| − | * | + | * Thesis Support: '''[[Elke Rentemeister]]''' |
| − | * | + | * Artistic Assistance: '''[[Elena Rast]], [[Katharina Knust]]''' |
| + | * Social Media: '''[[Eugénie Bouquet]]''' | ||
| + | * Executive Producer: '''[[Gerd Gockell]]''' | ||
| + | * Production: '''Lucerne School of Design, Film and Art / MA Animation, [[Tina Ohnmacht]]''' | ||
| Line 40: | Line 50: | ||
* Herkunftsland/Origine/Origine: '''Schweiz''' | * Herkunftsland/Origine/Origine: '''Schweiz''' | ||
* Produktionsjahr/Year/Année: '''2025''' | * Produktionsjahr/Year/Année: '''2025''' | ||
| − | * Dauer/Duration/Durée: '''9' | + | * Dauer/Duration/Durée: '''9' 23"''' |
* Verfahren/Process/Processus: '''Farbe/Color/Couleur''' | * Verfahren/Process/Processus: '''Farbe/Color/Couleur''' | ||
* Technik/Technic/Technique: ''3D / Creative Coding''' | * Technik/Technic/Technique: ''3D / Creative Coding''' | ||
Latest revision as of 14:29, 7 July 2025
Contents
- 1 Synopsis / Summary / Résumé
- 2 Regie / Direction / Régie
- 3 Produktion / Production
- 4 Credits
- 5 Technische Angaben / Technical information / Informations techniques
- 6 Weitere Informationen / More information / Informations additionelles
- 7 Verkauf des Films / Sale of film / Vente du film
- 8 Vertrieb / Distribution
Synopsis / Summary / Résumé
One form liquefies into a glistening puddle, another reproduces in a vibrant entanglement, while a third convulses under the invasive force of a parasitic entity. Symbionts traces an organic cycle of interaction within an unfamiliar ecosystem. It reveals the radiant elegance and the unrelenting violence inherent in the symbiotic relationships between diverse and peculiar life forms.
The film employs a distinctive visual language by merging digital 3D animation with a custom-developed texturing tool. This approach introduces a sense of abstraction while maintaining a tactile, almost recognizable reality, inviting viewers to immerse themselves in a world that is simultaneously alien and intimately biological.
Regie / Direction / Régie
Produktion / Production
Hochschule Luzern Design Film Kunst
Animation
Gerd Gockell
Credits
- Direction: Quirijn Dees
- Animation: Quirijn Dees
- Editing: Quirijn Dees
- Compositing: Frederic Berger
- Title/Credits Design: Alexandra Siebert
- Music: Miro Bollen
- Foleys: Céline Bernard
- Sounddesign: Miro Bollen, Quirijn Dees
- Soundmix: Jeroen Visser
- Mentor: Tim Markgraf, Simon Ott, Fabian Schäublin, Jeroen Visser, Marvin Sprengel, Irina Rubina
- Production Support: Jean First, Thomas Gassmann
- Thesis Support: Elke Rentemeister
- Artistic Assistance: Elena Rast, Katharina Knust
- Social Media: Eugénie Bouquet
- Executive Producer: Gerd Gockell
- Production: Lucerne School of Design, Film and Art / MA Animation, Tina Ohnmacht
Technische Angaben / Technical information / Informations techniques
- Herkunftsland/Origine/Origine: Schweiz
- Produktionsjahr/Year/Année: 2025
- Dauer/Duration/Durée: 9' 23"
- Verfahren/Process/Processus: Farbe/Color/Couleur
- Technik/Technic/Technique: 3D / Creative Coding'
- Grösse/Size/Taille: 1920x1080
- Format/Format/Format: DCP
- Aspekt/Aspect/Aspect: 16:9
- Ton/Sound/Son: Stereo / 5.1 Surround
- ISAN: 0000-0007-8324-0000-R-0000-0000-U
Weitere Informationen / More information / Informations additionelles
- Schule/School/Ecole: Hochschule Luzern, Design & Kunst http://www.hslu.ch
- Modul/Module: MA-Abschluss
- Mentoring/Mentorship/Mentorat: Tim Markgraf
- Software: Houdini / Openframeworks / Nuke / Davinci Resolve
- Zielgruppe/Target audience/Public ciblé: Jugendliche / Adult
- Genre: Experimental / Sci-Fi
Verkauf des Films / Sale of film / Vente du film
