Difference between revisions of "Simon de Diesbach"
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− | simondediesbach@gmail.com / simondediesba.ch / vimeo.com/simondediesbach | + | * Email: simondediesbach@gmail.com |
+ | * https://simondediesba.ch | ||
+ | * https://vimeo.com/simondediesbach | ||
__TOC__ | __TOC__ | ||
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* 08/2009 – 07/2010 Professional Maturity, EPAI, Fribourg, Switzerland | * 08/2009 – 07/2010 Professional Maturity, EPAI, Fribourg, Switzerland | ||
* 08/2005 – 07/2009 CFC Media Designer, eikon, Fribourg, Switzerland | * 08/2005 – 07/2009 CFC Media Designer, eikon, Fribourg, Switzerland | ||
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==== Berufserfahrung ==== | ==== Berufserfahrung ==== | ||
* 08/2020 – 08/2021 Art history and video teacher, eikon, Fribourg, Switzerland | * 08/2020 – 08/2021 Art history and video teacher, eikon, Fribourg, Switzerland | ||
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* 08/2007 – 04/2008 Graphic design Internship, Atelier Roger Pfund, Geneva, Switzerland | * 08/2007 – 04/2008 Graphic design Internship, Atelier Roger Pfund, Geneva, Switzerland | ||
* ''' 2015 Collide Pro Helvetia 2015 AWARD, Arts at Cern ''' | * ''' 2015 Collide Pro Helvetia 2015 AWARD, Arts at Cern ''' | ||
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==== Künstlerische Projekte ==== | ==== Künstlerische Projekte ==== | ||
* 2022 Limites, short film, 6 minutes | * 2022 Limites, short film, 6 minutes | ||
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* 2014 Computer Orchestra, interactive installation, in collaboration with Jonas LAcote and Laura Perrenoud | * 2014 Computer Orchestra, interactive installation, in collaboration with Jonas LAcote and Laura Perrenoud | ||
* 2014 OccultUs, interactive installation in collaboration with Fragmentin | * 2014 OccultUs, interactive installation in collaboration with Fragmentin | ||
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==== Evtl. Vorträge auf Fachtagungen und Podiumsgespräche ==== | ==== Evtl. Vorträge auf Fachtagungen und Podiumsgespräche ==== | ||
* 2017 Forum: Rencontre autour des nouvelles méthodes de narration, Flux laboratory, Geneva, Switzerland | * 2017 Forum: Rencontre autour des nouvelles méthodes de narration, Flux laboratory, Geneva, Switzerland | ||
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* 2015 Talk with Fragmentin, Arts at Cern, CERN, Switzerland | * 2015 Talk with Fragmentin, Arts at Cern, CERN, Switzerland | ||
* 2015 Talk with Fragmentin, Circle of Light, Moscow | * 2015 Talk with Fragmentin, Circle of Light, Moscow | ||
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==== Evtl. Ausstellungsbeteiligungen ==== | ==== Evtl. Ausstellungsbeteiligungen ==== | ||
* 2021 Limites II /Limites III, Musée des Beaux Art, 74e Biennale d’Art Contemporain: Une brève histoire des marges, La Chaux-de-Fonds, Switzerland | * 2021 Limites II /Limites III, Musée des Beaux Art, 74e Biennale d’Art Contemporain: Une brève histoire des marges, La Chaux-de-Fonds, Switzerland | ||
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* 2015 Computer Orchestra, Saint-Ex, nuitnumérique#12, Reims, France | * 2015 Computer Orchestra, Saint-Ex, nuitnumérique#12, Reims, France | ||
* 2015 OccultUs, Digit@rt: le tournant numérique de l'art Geneva, Switzerland | * 2015 OccultUs, Digit@rt: le tournant numérique de l'art Geneva, Switzerland | ||
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== Works == | == Works == | ||
− | * | + | * [[2022 limites]] |
Revision as of 11:54, 19 June 2022
As part of my Master’s degree at HSLU D&K (Lucerne University of Applied Sciences and Arts), I’m currently directing a short animation film and a series of videos where dance and movements are dialoguing with nature in a symbiosis. Using 3D laser scanning and motion capture technologies, I’m playing with limits, here is the preview!
I’m also working on the conceptual, technological and aesthetic research of a long term collaborative project in applied design, conducted by Christina Zimmermann and supported by the SNF (Swiss National Science Foundation). The transdisciplinary project is a digital archive of the work of the theorist Siegfried Kracauer, exploring new and more inclusive ways of visualizing and accessing scientific and artistic research.
While using technology as a creative tool, I question its role in seeking for an immaculate and photorealistic representation of the world for our memorial and sensorial perception, and how technology may encourage a form of consumption and overconsumption of nature, a nature that we threaten without any limits.
Where are the limits of digitalization, and where are our limits…
- Email: simondediesbach@gmail.com
- https://simondediesba.ch
- https://vimeo.com/simondediesbach
Contents
CV
Ausbildung
- 09/2018 – 02/2022 Hochschule Luzern, Design & Kunst, Lucerne, Switzerland
- 09/2011 – 07/2014 Bachelor Media&Interaction Design, ECAL, Lausanne, Switzerland
- 08/2010 – 07/2011 Passerelle DUBS, Federal Maturity, Fribourg, Switzerland
- 08/2009 – 07/2010 Professional Maturity, EPAI, Fribourg, Switzerland
- 08/2005 – 07/2009 CFC Media Designer, eikon, Fribourg, Switzerland
Berufserfahrung
- 08/2020 – 08/2021 Art history and video teacher, eikon, Fribourg, Switzerland
- 11/2020 – 12/2020 Cinema4D Workshop, Eracom, Lausanne, Switzerland
- 08/2018 – 08/2021 After Effects Workshop, eikon, Fribourg, Switzerland
- 08/2017 – 08/2021 Artistic director, eikonlab, eikon, Fribourg, Switzerland
- 11/2017 – 12/2017 Stop Motion Workshop, Eracom, Lausanne, Switzerland
- 06/2015 + 06/2016 Expert CFC Media Designer, Eracom, Lausanne, Switzerland
- 08/2014 – 07/2018 After Effect and video teacher, Eracom, Lausanne, Switzerland
- 09/2014 – 01/2018 Co-founder and designer, Fragment.in Sàrl, Lausanne, Switzerland
- 08/2007 – 04/2008 Graphic design Internship, Atelier Roger Pfund, Geneva, Switzerland
- 2015 Collide Pro Helvetia 2015 AWARD, Arts at Cern
Künstlerische Projekte
- 2022 Limites, short film, 6 minutes
- 2021 Gespenster, short dance films, Natascha Moschini
- 2021 Limites II / Limites III, print series
- 2021 Horizon, Swear I love you, music video
- 2017 I, sculptures, in collaboration with Romain de Diesbach
- 2017 Black&Lights, interactive installation, in collaboration with Fragmentin
- 2016 2199, interactive installation, in collaboration with Fragmentin
- 2016 La garde, interactive installation, in collaboration with Fragmentin, Anita Hugi & David Dufresne srg-ssr-art
- 2014 Computer Orchestra, interactive installation, in collaboration with Jonas LAcote and Laura Perrenoud
- 2014 OccultUs, interactive installation in collaboration with Fragmentin
Evtl. Vorträge auf Fachtagungen und Podiumsgespräche
- 2017 Forum: Rencontre autour des nouvelles méthodes de narration, Flux laboratory, Geneva, Switzerland
- 2016 Talk with Fragmentin, Ligature, Connexion 5, Lausanne, Switzerland
- 2015 Talk with Fragmentin, Arts at Cern, CERN, Switzerland
- 2015 Talk with Fragmentin, Circle of Light, Moscow
Evtl. Ausstellungsbeteiligungen
- 2021 Limites II /Limites III, Musée des Beaux Art, 74e Biennale d’Art Contemporain: Une brève histoire des marges, La Chaux-de-Fonds, Switzerland
- 2020 I, Ludwig Museum of Contemporary Art, Budapest, Hungary
- 2019 I, Mapping Festival, Geneva, Switzerland
- 2017 I, Villa Bernasconi, Grand Lancy, Switzerland
- 2017 OccultUs, Fantoche International Film Festival, Baden, Switzerland
- 2017 2199, Haus der elektronischen Künste HeK, The Unframed World, Basel, Switzerland
- 2016 – 2017 Black&Lights, EPFL Pavillon: Noir c’est Noir? Les Outrenoirs de Pierre Soulages, une exposition à la croisée de l’art et de la science, Lausanne, Switzerland
- 2016 La Garde, Dadadata.net, 45e Festival du nouveau cinéma Montréal, Quebec
- 2016 Computer Orchestra, TEDx PlaceDesNations, Geneva, Switzerland
- 2016 La Garde, Dadadata.net, Locarno Film Festival, Locarno, Switzerland
- 2016 La Garde, Dadadata.net, Hauptbanhof, Zurich, Switzerland
- 2016 La Garde, Dadadata.net, Natural Historisches Museum, Zurich, Switzerland
- 2016 Computer Orchestra, Rc4 Festival, Oi Futuro, Ipanema, Brazil
- 2015 Computer Orchestra, Saint-Ex, nuitnumérique#12, Reims, France
- 2015 OccultUs, Digit@rt: le tournant numérique de l'art Geneva, Switzerland