Difference between revisions of "2025 Symbionts"
| Line 31: | Line 31: | ||
* Soundmix: '''[[Jeroen Visser]]''' | * Soundmix: '''[[Jeroen Visser]]''' | ||
* Mentor: '''[[Tim Markgraf]], [[Simon Ott]], [[Fabian Schäublin]], [[Jeroen Visser]], [[Marvin Sprengel]], [[Irina Rubina]]''' | * Mentor: '''[[Tim Markgraf]], [[Simon Ott]], [[Fabian Schäublin]], [[Jeroen Visser]], [[Marvin Sprengel]], [[Irina Rubina]]''' | ||
| − | * Production Support: '''[[Jean First]], [[Thomas | + | * Production Support: '''[[Jean First]], [[Thomas Gassmann]]''' |
* Thesis Support: '''[[Elke Rentemeister]]''' | * Thesis Support: '''[[Elke Rentemeister]]''' | ||
* Artistic Assistance: '''[[Elena Rast]], [[Katharina Knust]]''' | * Artistic Assistance: '''[[Elena Rast]], [[Katharina Knust]]''' | ||
Revision as of 17:12, 10 June 2025
Contents
- 1 Synopsis / Summary / Résumé
- 2 Regie / Direction / Régie
- 3 Produktion / Production
- 4 Credits
- 5 Technische Angaben / Technical information / Informations techniques
- 6 Weitere Informationen / More information / Informations additionelles
- 7 Verkauf des Films / Sale of film / Vente du film
- 8 Vertrieb / Distribution
Synopsis / Summary / Résumé
One alien melts to a puddle, another procreates per colourful threesome, and yet another convulses desperately as it is brutally invaded by a parasite. ‘Symbionts’ is a cinematic, observational journey through a dynamic alien ecosystem, in which a variety of eccentric alien life forms are encountered. The film portrays both the dazzling beauty, as well as the unforgiving cruelty inherent to their symbiotic interactions.
The film uses a unique visual style by combining digital 3D-animation and abstracting the animations through a self-made texturing tool. This technique was developed in order to portray the alien world in its own distinct visual language that introduces abstraction whilst still maintaining the suggestion of a concrete reality to us, humans. The result is an intense and vibrant visual language that consists of dense, repetitive textures and boiling surfaces.
Regie / Direction / Régie
Produktion / Production
Hochschule Luzern Design Film Kunst
Animation
Gerd Gockell
Credits
- Direction: Quirijn Dees
- Animation: Quirijn Dees
- Editing: Quirijn Dees
- Compositing: Frederic Berger
- Title/Credits Design: Alexandra Siebert
- Music: Miro Bollen
- Foleys: Céline Bernard
- Sounddesign: Miro Bollen, Quirijn Dees
- Soundmix: Jeroen Visser
- Mentor: Tim Markgraf, Simon Ott, Fabian Schäublin, Jeroen Visser, Marvin Sprengel, Irina Rubina
- Production Support: Jean First, Thomas Gassmann
- Thesis Support: Elke Rentemeister
- Artistic Assistance: Elena Rast, Katharina Knust
- Social Media: Eugénie Bouquet
- Executive Producer: Gerd Gockell
- Production: Lucerne School of Design, Film and Art / MA Animation, Tina Ohnmacht
Technische Angaben / Technical information / Informations techniques
- Herkunftsland/Origine/Origine: Schweiz
- Produktionsjahr/Year/Année: 2025
- Dauer/Duration/Durée: 9' 00"
- Verfahren/Process/Processus: Farbe/Color/Couleur
- Technik/Technic/Technique: 3D / Creative Coding'
- Grösse/Size/Taille: 1920x1080
- Format/Format/Format: DCP
- Aspekt/Aspect/Aspect: 16:9
- Ton/Sound/Son: Stereo / 5.1 Surround
- ISAN: 0000-0007-8324-0000-R-0000-0000-U
Weitere Informationen / More information / Informations additionelles
- Schule/School/Ecole: Hochschule Luzern, Design & Kunst http://www.hslu.ch
- Modul/Module: MA-Abschluss
- Mentoring/Mentorship/Mentorat: Tim Markgraf
- Software: Houdini / Openframeworks / Nuke / Davinci Resolve
- Zielgruppe/Target audience/Public ciblé: Jugendliche / Adult
- Genre: Experimental / Sci-Fi
Verkauf des Films / Sale of film / Vente du film
