Difference between revisions of "2022 Limites"
From Animation Luzern Wiki
| Line 1: | Line 1: | ||
| − | + | ||
== Film '''limites''' == | == Film '''limites''' == | ||
| Line 11: | Line 11: | ||
* In a forest that he digitized, Simon runs. Within an autobiographical narrative, running embodies the intimate link between the protagonist and the forest, a forest that has witnessed a multitude of personal events and that is now being destroyed by a gravel pit. Immersed in an ambivalent world between realism and dream, Simon questions the reasons that pushed him to digitize the forest. He questions his relationship with the living world and the limits of digital representations of nature. | * In a forest that he digitized, Simon runs. Within an autobiographical narrative, running embodies the intimate link between the protagonist and the forest, a forest that has witnessed a multitude of personal events and that is now being destroyed by a gravel pit. Immersed in an ambivalent world between realism and dream, Simon questions the reasons that pushed him to digitize the forest. He questions his relationship with the living world and the limits of digital representations of nature. | ||
| − | + | [[File:limites_still.jpg|alt=|right|frameless|650x650px]] | |
=== Regie / Direction / Régie === | === Regie / Direction / Régie === | ||
Revision as of 19:03, 29 January 2022
Contents
Film limites
Logline
- In a forest that he digitized, Simon runs.
Synopsis / Summary / Résumé
- In a forest that he digitized, Simon runs. Within an autobiographical narrative, running embodies the intimate link between the protagonist and the forest, a forest that has witnessed a multitude of personal events and that is now being destroyed by a gravel pit. Immersed in an ambivalent world between realism and dream, Simon questions the reasons that pushed him to digitize the forest. He questions his relationship with the living world and the limits of digital representations of nature.
Regie / Direction / Régie
Ko-Produktion / Co-Production
Hochschule Luzern Design und Kunst / Lucerne University of Applied Sciences and Arts
MA Film
Fred Truniger
Credits
- a film by Simon de Diesbach
- Story, Design, Look Development: Simon de Diesbach
- 3D rigging: Simon Ott, Michael Zünd
- Compositing: Simon de Diesbach
- Voice: Patric Reves
- Music composed :Gwenael Magnenat
- Music Mix & Preparation: Thomas Gassmann
- Foley Artist: Dieter Hebben
- Sound Design & Mix: Thomas Gassmann, Jorrit Stadelmann
- Mentors: Jochen Ehmann, Müller Robert
- Production Support: First Jean
- Co-production: HSLU Design & Kunst MA Film / Fred Truniger
Technische Angaben / Technical information / Informations techniques
- Herkunftsland/Origin/Origine: Schweiz / Switzerland / Suisse
- Produktionsjahr/Year/Année: 2022
- Dauer/Duration/Durée: 7' 25"
- Verfahren/Process/Processus: Farbe/Color/Couleur
- Technik/Technic/Technique: 3D laser scan / Motion Capture
- Grösse/Size/Taille: 1998x1080
- Format/Format/Format: HDV
- Aspekt/Aspect/Aspect: work in progress
- Ton/Sound/Son: 5.1 Surround
- ISAN: 'work in progress
Weitere Informationen / More information / Informations additionelles
- Schule/School/Ecole: Hochschule Luzern, Design & Kunst http://www.hslu.ch
- Modul/Module: MA-Abschluss
- Mentoring/Mentorship/Mentorat: Jochen Ehmann
- Werkzeuge/Tools/Outils: Faro 3D Laser scan / Xsens Motion Capture / Computer
- Software: Houdini / Xsens / Davinci Resolve 17
- Zielgruppe/Target audience/Public ciblé: Jugendliche / Adult
- Genre: Sci-Fi Drama / Docu / Essaie / Experimental
- Musikliste / Music Cue Sheet:
Works
- limites 2022 [1]
